10 October 2011

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TWO WORLDS
TWO WORLDS
Marian Jeffares (1916-1986)

Auction Date / Lot No.: 10 October 2011 / 141

Reserve: €800

  • Signature: with hand-written labels on reverse
  • Medium: oil and graphite on board
  • Dimensions: 57 by 67cm., 22.5 by 26.2 5in.
  • Provenance: Provenance:Family of the Artist
  • Born Marian Bragg in South London, Jeffares was a relation of William Henry Bragg and Sir Lawrence Bragg (co-winners of the 1915 Nobel Prize for Physics for their work on x-rays). She studied at Blackheath Art School and for five years at the Slade. She also studied design at Chelsea Polytechnic, and in 1939 took a degree in art history at the Courtauld Institute, studying under Sir Anthony Blunt. Shortly prior to WWII she married Ernest Holfenth, with whom she had a child, but the marriage barely outlasted the war. During the intervening years she worked at the War Office in London and taught art in Manchester. Her second marriage was to George Jeffares, an Irishman who lectured in languages at the Royal Naval College in Devon. Together they travelled to China for eighteen months, and Chinese scenes and subjects would preoccupy her throughout the early 1950s. In 1949 they settled in Kimmage, Co. Dublin and Jeffares began showing work at the IELA. In 1956 she had the first of fifteen works hung at the RHA and the following year, from an address in Rathgar, began showing at the annual Oireachtas art exhibitions. She also continued to exhibit in London, sending work to the Leicester Galleries in August 1957. Solo exhibitions were held with the Hendriks Gallery, Dublin, in 1956 and 1960. During the 1960s and '70s her subject matter focused - rather unfashionably - on social issues such as unemployment, women's rights, and Republican prisoners. She died in 1986, survived by two sons.

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PEKING COURT
PEKING COURT
Marian Jeffares (1916-1986)

Auction Date / Lot No.: 10 October 2011 / 142

Reserve: €600

  • Signature: numbered 26 on reverse
  • Medium: oil on board
  • Dimensions: 39 by 61cm., 15.5 by 24in.
  • Provenance: Provenance:Family of the Artist
  • Born Marian Bragg in South London, Jeffares was a relation of William Henry Bragg and Sir Lawrence Bragg (co-winners of the 1915 Nobel Prize for Physics for their work on x-rays). She studied at Blackheath Art School and for five years at the Slade. She also studied design at Chelsea Polytechnic, and in 1939 took a degree in art history at the Courtauld Institute, studying under Sir Anthony Blunt. Shortly prior to WWII she married Ernest Holfenth, with whom she had a child, but the marriage barely outlasted the war. During the intervening years she worked at the War Office in London and taught art in Manchester. Her second marriage was to George Jeffares, an Irishman who lectured in languages at the Royal Naval College in Devon. Together they travelled to China for eighteen months, and Chinese scenes and subjects would preoccupy her throughout the early 1950s. In 1949 they settled in Kimmage, Co. Dublin and Jeffares began showing work at the IELA. In 1956 she had the first of fifteen works hung at the RHA and the following year, from an address in Rathgar, began showing at the annual Oireachtas art exhibitions. She also continued to exhibit in London, sending work to the Leicester Galleries in August 1957. Solo exhibitions were held with the Hendriks Gallery, Dublin, in 1956 and 1960. During the 1960s and '70s her subject matter focused - rather unfashionably - on social issues such as unemployment, women's rights, and Republican prisoners. She died in 1986, survived by two sons.

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SWISS ARMOIRE, 1973
SWISS ARMOIRE, 1973
Tony O'Malley HRHA (1913-2003)

Auction Date / Lot No.: 10 October 2011 / 144

Reserve: €800

  • Signature: signed with initials and dated in pencil lower left; with typed O'Malley Retrospective (Arts Council) exhibition label preserved on reverse
  • Medium: gouache over pencil and ink with gold paint on paper
  • Dimensions: 29 by 21cm., 11.5 by 8.25in.
  • Provenance: Provenance:David Lay Frics, Penzance Auction House, Cornwall, 28 July 2011, lot 262; Where purchased by the current owner
  • With framing label of Porthmeor Gallery St. Ives, Cornwall on reverse.
    In 1973 Tony O’Malley married Jane Harris, a Canadian artist. Their meeting had a significant effect on the artist, whose palette brightened dramatically from this point onwards. This change in direction, coupled with their trips to the Caribbean, spawned O’Malley’s most popular series of Bahamian works from the early 1970s.

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MADONNA AND CHILD, late 1960s
MADONNA AND CHILD, late 1960s
Father Jack P. Hanlon (1913-1968)

Auction Date / Lot No.: 10 October 2011 / 145

Reserve: €1000

  • Signature: signed lower right; bearing original inscribed George Gallery label on reverse
  • Medium: watercolour
  • Dimensions: 51 by 33cm., 20 by 13in.
  • Exhibited: Exhibited:'The Irish Figurists and Figurative Painting in Irish Art', George Gallery, Dublin, November - December 1990, catalogue no. 88
  • Literature: Literature:Stairs, Susan, The Irish Figurists and Figurative Painting in Irish Art, George Gallery, Dublin, 1990, catalogue no. 88, p. 250 (listed), p.251 (illustrated)
  • With thanks to Mary Reilly, UCD, for her assistance in cataloguing this lot.

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FARMHOUSES WITH BLUE GATE
FARMHOUSES WITH BLUE GATE
Markey Robinson (1918-1999)

Auction Date / Lot No.: 10 October 2011 / 150

Reserve: €1000

  • Signature: lower right
  • Medium: oil on board
  • Dimensions: 39 by 60cm., 15.5 by 23.5in.
  • Lots 150 to 159 in Whyte’s 10 October 2011 auction were consigned by a private collector who purchased these works from the Caldwell Galleries, Belfast in the mid 1960s.
    The 1960s and 70s were defining years for Markey Robinson. Specific catalysts which effected a change in his practice at this time included the break-up of his marriage and the gradual departure of his wife and daughters to the United States. Paul O’Kelly (Markey at The Oriel, The Oriel Gallery, Dublin, 2008, p.18) notes, “This was to be a turning-point in his life, providing him with a melancholic leitmotif ¬– the retreating female form - for his paintings…” ‘The troubles’ in Northern Ireland at the beginning of the 1960s also shaped him in that he would now lose Belfast as his “centre of gravity” (ibid) by relocating to Dublin. The move however strengthened his relationship with The Oriel Gallery and sales of his work facilitated travel abroad.

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STONE WALLED COTTAGES
STONE WALLED COTTAGES
Markey Robinson (1918-1999)

Auction Date / Lot No.: 10 October 2011 / 152

Reserve: €1000

  • Signature: signed lower left
  • Medium: oil on board
  • Dimensions: 41 by 61cm., 16 by 24in.
  • Lots 150 to 159 in Whyte’s 10 October 2011 auction were consigned by a private collector who purchased these works from the Caldwell Galleries, Belfast in the mid 1960s.
    The 1960s and 70s were defining years for Markey Robinson. Specific catalysts which effected a change in his practice at this time included the break-up of his marriage and the gradual departure of his wife and daughters to the United States. Paul O’Kelly (Markey at The Oriel, The Oriel Gallery, Dublin, 2008, p.18) notes, “This was to be a turning-point in his life, providing him with a melancholic leitmotif ¬– the retreating female form - for his paintings…” ‘The troubles’ in Northern Ireland at the beginning of the 1960s also shaped him in that he would now lose Belfast as his “centre of gravity” (ibid) by relocating to Dublin. The move however strengthened his relationship with The Oriel Gallery and sales of his work facilitated travel abroad.

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DELIVERING THE MILK
DELIVERING THE MILK
Markey Robinson (1918-1999)

Auction Date / Lot No.: 10 October 2011 / 155

Reserve: €3000

  • Signature: signed lower left
  • Medium: oil on board
  • Dimensions: 33 by 71cm., 13 by 28in.
  • Lots 150 to 159 in Whyte’s 10 October 2011 auction were consigned by a private collector who purchased these works from the Caldwell Galleries, Belfast in the mid 1960s.
    The 1960s and 70s were defining years for Markey Robinson. Specific catalysts which effected a change in his practice at this time included the break-up of his marriage and the gradual departure of his wife and daughters to the United States. Paul O’Kelly (Markey at The Oriel, The Oriel Gallery, Dublin, 2008, p.18) notes, “This was to be a turning-point in his life, providing him with a melancholic leitmotif ¬– the retreating female form - for his paintings…” ‘The troubles’ in Northern Ireland at the beginning of the 1960s also shaped him in that he would now lose Belfast as his “centre of gravity” (ibid) by relocating to Dublin. The move however strengthened his relationship with The Oriel Gallery and sales of his work facilitated travel abroad.

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GATHERING POTATOS
GATHERING POTATOS
Markey Robinson (1918-1999)

Auction Date / Lot No.: 10 October 2011 / 157

Reserve: €4000

  • Signature: signed lower left
  • Medium: oil on board
  • Dimensions: 38 by 97cm., 15 by 38in.
  • Lots 150 to 159 in Whyte’s 10 October 2011 auction were consigned by a private collector who purchased these works from the Caldwell Galleries, Belfast in the mid 1960s.
    The 1960s and 70s were defining years for Markey Robinson. Specific catalysts which effected a change in his practice at this time included the break-up of his marriage and the gradual departure of his wife and daughters to the United States. Paul O’Kelly (Markey at The Oriel, The Oriel Gallery, Dublin, 2008, p.18) notes, “This was to be a turning-point in his life, providing him with a melancholic leitmotif ¬– the retreating female form - for his paintings…” ‘The troubles’ in Northern Ireland at the beginning of the 1960s also shaped him in that he would now lose Belfast as his “centre of gravity” (ibid) by relocating to Dublin. The move however strengthened his relationship with The Oriel Gallery and sales of his work facilitated travel abroad.

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FIVE WOMEN, 1983
FIVE WOMEN, 1983
Markey Robinson (1918-1999)

Auction Date / Lot No.: 10 October 2011 / 162

Reserve: €2000

  • Signature: signed lower left
  • Medium: oil with gouache on board
  • Dimensions: 37 by 57cm., 14.7 5 by 22.5in.
  • Provenance: Provenance:George Gallery, Dublin; Private collection
  • Exhibited: Exhibited:Apollo Gallery, Blackrock, Co. Dublin (mid 1980s)
  • Literature: Literature:Stairs, Susan, Markey Robinson - A Life in Retrospective, Shorthall-Stairs Publications Dublin, 1998, p.45, catalogue no. 59 (listed and illustrated).
  • Stairs, q.v., writes: “Compositionally, this is similar to Gauguin's Ta Matete, 1892, but, in Five Women, Markey has said - "they're in different positions". Gauguin's painting features five women seated on a bench (also one standing). In fact, the only figure whose head is turned in a different direction is the second figure from the right who faces to the right in Ta Matete and straight on in Five Women. Markey's piece is tighter, more compact, with a spartan background of muted grey. Each figure is composed of a few simple shapes of pure colour - the whole structure consists of solid areas of form linked together in the manner of a jigsaw.”

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MR PUNCH WITH RED TULIPS
MR PUNCH WITH RED TULIPS
Graham Knuttel (b.1954)

Auction Date / Lot No.: 10 October 2011 / 163

Reserve: €1000


GANGSTERS
GANGSTERS
Graham Knuttel (b.1954)

Auction Date / Lot No.: 10 October 2011 / 164

Reserve: €1500


CAPTAIN
CAPTAIN
Graham Knuttel (b.1954)

Auction Date / Lot No.: 10 October 2011 / 165

Reserve: €1000


PIRATE AND ISLANDER GIRL
PIRATE AND ISLANDER GIRL
Graham Knuttel (b.1954)

Auction Date / Lot No.: 10 October 2011 / 167

Reserve: €4000

  • Signature: signed lower left
  • Medium: oil on canvas
  • Dimensions: 119 by 90cm., 47 by 35.5in.
  • Provenance: Provenance:Whyte's, 8 May 2002, lot 114; Whence purchased by the present owner
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WOMAN AND CATS
WOMAN AND CATS
Graham Knuttel (b.1954)

Auction Date / Lot No.: 10 October 2011 / 168

Reserve: €2500


FAIR DAY, CLIFDEN, 1986
FAIR DAY, CLIFDEN, 1986
Cecil Maguire RHA RUA (b.1930)

Auction Date / Lot No.: 10 October 2011 / 174

Reserve: €4000


FLIGHT OF WILD DUCKS OVER A MARSH
FLIGHT OF WILD DUCKS OVER A MARSH
Kenneth Webb RWA FRSA RUA (b.1927)

Auction Date / Lot No.: 10 October 2011 / 176

Reserve: €2000


KILMORE QUAY HARBOUR AND MARINA
KILMORE QUAY HARBOUR AND MARINA
Ivan Sutton (b.1944)

Auction Date / Lot No.: 10 October 2011 / 184

Reserve: €1500

  • Signature: signed lower right; signed again and with title on artist's label on reverse
  • Medium: oil on canvasboard
  • Dimensions: 41 by 51cm., 16 by 20in.
  • Provenance: Provenance:Whyte's, 10 December 2005, lot 242; Whence purchased by the present owner
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JEWEL ANEMONES IN POLLOCK HOLE, KILKEE, COUNTY CLARE
JEWEL ANEMONES IN POLLOCK HOLE, KILKEE, COUNTY CLARE
Jennifer Kingston 

Auction Date / Lot No.: 10 October 2011 / 186

Reserve: €800

  • Signature: signed lower right; signed again and inscribed with title and artist's archival number [932] on reverse
  • Medium: acrylic on board
  • Dimensions: 56 by 69cm., 22 by 27in.
  • From the artist's 'Sub Sea Series'.

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FRIENDS OUT FOR A WALK, INCH BEACH, 2006
FRIENDS OUT FOR A WALK, INCH BEACH, 2006
John Morris (b.1958)

Auction Date / Lot No.: 10 October 2011 / 197

Reserve: €800

  • Signature: signed lower left; signed again, titled and dated on reverse; also with artist's archival number [1.17100c] on reverse
  • Medium: oil on board
  • Dimensions: 51 by 51cm., 20 by 20in.
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MILKING TIME
MILKING TIME
Tom Carr HRHA HRUA ARWS (1909-1999)

Auction Date / Lot No.: 10 October 2011 / 201

Reserve: €800


MOROCAN LANDSCAPE
MOROCAN LANDSCAPE
Henry Robertson Craig RHA (1916-1984)

Auction Date / Lot No.: 10 October 2011 / 203

Reserve: €600


DRUM-NA-DREAR,[SIC] GARRON POINT, COUNTY ANTRIM
DRUM-NA-DREAR,[SIC] GARRON POINT, COUNTY ANTRIM
Norman J. McCaig (1929-2001)

Auction Date / Lot No.: 10 October 2011 / 205

Reserve: €1000

  • Signature: signed lower left; with title inscribed on labels on reverse; also with Combridge Gallery label on reverse
  • Medium: oil on canvas
  • Dimensions: 46 by 61cm., 18 by 24in.
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RUSH HARBOUR, 2003
RUSH HARBOUR, 2003
Paul Kelly (b.1968)

Auction Date / Lot No.: 10 October 2011 / 207

Reserve: €800


LOOKING NORTH (ACROSS COUNTY LOUTH), 1992
LOOKING NORTH (ACROSS COUNTY LOUTH), 1992
Padraig Lynch (b.1936)

Auction Date / Lot No.: 10 October 2011 / 210

Reserve: €600

  • Signature: signed lower right; inscribed with title on artist's label on reverse
  • Medium: oil on canvas board
  • Dimensions: 29 by 37cm., 11.5 by 14.5in.
  • This painting is believed to be one of two works by Pádraig Lynch to commemorate Mary Robinson's election as President of Ireland in 1990. The title draws inspiration from the President’s call for a more welcoming attitude towards the North (a light would always be kept on in Áras an Uachtaráin to welcome visitors). The other example of this work is thought to be in the collection of Áras an Uachtaráin.

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PHEASANTS IN THE SNOW
PHEASANTS IN THE SNOW
Robert W. Milliken (b.1920)

Auction Date / Lot No.: 10 October 2011 / 214

Reserve: €800


A CALL BEFORE LUNCH, 2005
A CALL BEFORE LUNCH, 2005
Mark O'Neill (b.1963)

Auction Date / Lot No.: 10 October 2011 / 219

Reserve: €3000


LEO BURDOCK'S, 2011
LEO BURDOCK'S, 2011
Stuart Morle (b.1960)

Auction Date / Lot No.: 10 October 2011 / 226

Reserve: €1500

  • Signature: signed lower right
  • Medium: oil on copper on board
  • Dimensions: 36 by 47cm., 14.2 5 by 18.5in.
  • Established in 1913, this quintessential Irish takeaway across from Christ Church Cathedral is a cherished Dublin institution. Cabinet ministers, university students and Hollywood stars alike (Tom Cruise and Liam Neeson are both fans) can be found at the counter waiting for the renowned fish and chips.

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HUMBLE BLUE AND GREEN, 1999
HUMBLE BLUE AND GREEN, 1999
Mark O'Neill (b.1963)

Auction Date / Lot No.: 10 October 2011 / 228

Reserve: €800

  • Signature: signed and dated lower left; with typed Frederick Gallery label on reverse
  • Medium: oil on board
  • Dimensions: 25 by 35cm., 10 by 13.7 5in.
  • Provenance: Provenance:Frederick Gallery, Dublin; Private collection
  • Exhibited: Exhibited:'Mark O'Neill, Mini Show', October 1999, Frederick Gallery, Dublin
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SINGLE DANCER, 2009
SINGLE DANCER, 2009
Selma McCormack (b.1943)

Auction Date / Lot No.: 10 October 2011 / 229

Reserve: €900

  • Signature: signed, numbered and dated at the base (no.6 from an edition of 9)
  • Medium: bronze on a circular bronze base
  • Dimensions: 26 by 13cm., 10.2 5 by 5.25in.
  • Diameter of circular base, 4.25ins.

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STILL LIFE WITH DAFFODILS
STILL LIFE WITH DAFFODILS
Geraldine M. O'Brien (b.1922)

Auction Date / Lot No.: 10 October 2011 / 233

Reserve: €800


PORTRAIT OF THE DUKE OF EDINBURGH
PORTRAIT OF THE DUKE OF EDINBURGH
John Schwatschke (b.1943)

Auction Date / Lot No.: 10 October 2011 / 238

Reserve: €1000

  • Signature: signed, inscribed and dated on reverse; also with artist's studio stamp and archival number [2188] on reverse
  • Medium: oil on canvas
  • Dimensions: 61 by 51cm., 24 by 20in.
  • This painting is a reprise of the artist's portrait commission of HRH Prince Philip. As inscribed on reverse, this work "represents a previous portrait commission by the American Club, London and a sitting at Buckingham Palace, 3 May 1979 with HRHA as patron of the American Club...(artist’s archival reference no. 512)… [This lot was] painted May 2011 on the occasion of the Royal visit to Ireland by Queen Elizabeth and Prince Philip.”

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INSIDE DUBLIN'S CAPITOL THEATRE, c. 1945
INSIDE DUBLIN'S CAPITOL THEATRE, c. 1945
Patrick Leonard HRHA (1918-2005)

Auction Date / Lot No.: 10 October 2011 / 240

Reserve: €2500

  • Signature: signed lower right; inscribed with artist's address ['Roseville', Rush, Co. Dublin] on reverse
  • Medium: oil on board
  • Dimensions: 61 by 51cm., 24 by 20in.
  • Provenance: Provenance:Purchased from the artist in the 1960s and 1970s by George McClelland; Private collection; Whyte's Irish Art auction 21 February 2006, lot 50; private collection
  • Exhibited: Exhibited:Possibly at the RHA, Dublin, 1946, catlogue no. 72 (£36-15-0) as An Old Time Music Hall from the Capitol Theatre's "Christymas Crackers", 1945
  • Formerly La Scala Theatre and Opera House, the Capitol Theatre – a cinema from 1953 – was in Prince’s Street beside the GPO. It was demolished along with the Metropole Cinema in 1973 to make way for a department store.

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UILLEANN PIPER
UILLEANN PIPER
Barry Kerr 

Auction Date / Lot No.: 10 October 2011 / 241

Reserve: €800


LONG VEHICLE, DONEGAL
LONG VEHICLE, DONEGAL
Rose Stapleton 

Auction Date / Lot No.: 10 October 2011 / 243

Reserve: €1200

  • Signature: signed lower right; inscribed with title on reverse
  • Medium: oil on canvas
  • Dimensions: 51 by 61cm., 20 by 24in.
  • Exhibited: Exhibited:'Rose Stapleton', Jorgensen Fine Art, Dublin, March 2007, catalogue no. 38 (illustrated)
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LEGAL TEAM MEETING CLIENTS
LEGAL TEAM MEETING CLIENTS
Ivan Sutton (b.1944)

Auction Date / Lot No.: 10 October 2011 / 245

Reserve: €1500


STILL LIFE WITH VASES AND FLOWERS, c.1975
STILL LIFE WITH VASES AND FLOWERS, c.1975
Brian Ballard RUA (b.1943)

Auction Date / Lot No.: 10 October 2011 / 248

Reserve: €800


PEARS
PEARS
Colin Davidson (b.1968)

Auction Date / Lot No.: 10 October 2011 / 254

Reserve: €1200

  • Signature: signed lower right; inscribed with title on Eakin Gallery label on reverse
  • Medium: oil on board
  • Dimensions: 25 by 30cm., 10 by 12in.
  • Provenance: Provenance:Eakin Gallery, Belfast; Private collection
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LANDSCAPE
LANDSCAPE
Colin Davidson (b.1968)

Auction Date / Lot No.: 10 October 2011 / 255

Reserve: €1200

  • Signature: signed lower left; inscribed with title on Eakin Gallery label on reverse
  • Medium: oil on board
  • Dimensions: 29 by 39cm., 11.5 by 15.5in.
  • Provenance: Provenance:Eakin Gallery, Belfast; Private collection
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STILL LIFE WITH SUNFLOWERS AND TULIPS, 2009
STILL LIFE WITH SUNFLOWERS AND TULIPS, 2009
Brian Ballard RUA (b.1943)

Auction Date / Lot No.: 10 October 2011 / 258

Reserve: €1200


ROSES ON BOOK, 2009
ROSES ON BOOK, 2009
Brian Ballard RUA (b.1943)

Auction Date / Lot No.: 10 October 2011 / 259

Reserve: €1000


VENICE
VENICE
Markey Robinson (1918-1999)

Auction Date / Lot No.: 10 October 2011 / 260

Reserve: €800


SHAWLIES BEFORE A MOUNTAIN
SHAWLIES BEFORE A MOUNTAIN
Markey Robinson (1918-1999)

Auction Date / Lot No.: 10 October 2011 / 262

Reserve: €1500


BLUE STILL LIFE, 1982
BLUE STILL LIFE, 1982
Markey Robinson (1918-1999)

Auction Date / Lot No.: 10 October 2011 / 263

Reserve: €1500

  • Signature: signed lower left
  • Medium: gouache on board
  • Dimensions: 51 by 29cm., 20 by 11.5in.
  • Provenance: Provenance:George Gallery, Dublin; Private collection
  • Literature: Literature:Stairs, Susan, Markey Robinson - A Life in Retrospective, Shorthall-Stair Publications Dublin, 1998, p.16, catalogue no. 4 (listed and illustrated)
  • Stairs notes: ”The angle from which we view this group of objects is unusual in that we appear to be looking down, rather than across at them. Objects are faceted, which suggests an influence of Cubism - but more so of its pictorial qualities rather than its theoretical objectives. The sole use of blue, both in the delineation and modelling of forms, accords a great sense of solidity, a denseness which links all the forms together.”

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LEGS, 1971
LEGS, 1971
Frederick Edward McWilliam RA HRUA (1909-1992)

Auction Date / Lot No.: 10 October 2011 / 267

Reserve: €800


FIGURE IN LIGHTHOUSE RUINS
FIGURE IN LIGHTHOUSE RUINS
John Luke RUA (1906-1975)

Auction Date / Lot No.: 10 October 2011 / 268

Reserve: €800


AUTUMN RIDER, PORTMOON
AUTUMN RIDER, PORTMOON
Ross Wilson ARUA (b.1957)

Auction Date / Lot No.: 10 October 2011 / 272

Reserve: €500


FRANCIS STUART, 1998
FRANCIS STUART, 1998
Rory Breslin (b.1963)

Auction Date / Lot No.: 10 October 2011 / 274

Reserve: €1500


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