’Two Painters from the Collection of Sir Basil Goulding’, joint exhibition with Barrie Cooke, Ulster Museum, Belfast, 28 January – 27 February 1965, catalogue no. 18;
’Modern Irish Paintings’, Athenaeum, Helsinki, September – October 1969, exhibition toured Scandinavia and to the RCA Gallery, London, November – December 1970, and the City Art Gallery, Leeds, 1971, catalogue no. 44;
’2 Deeply: One Hundred Paintings by Barrie Cooke and Camille Souter’, The Carroll Building, Grand Parade, Dublin, August 1971, in aid of the Central Remedial Clinic, catalogue no. 13;
’Camille Souter: An exhibition of paintings from the collection of Sir Basil Goulding, Bt., and a selection of Still Life paintings from other collections’, YMCA Hall, North Main Street, Wexford, organised by the Friends of the Wexford Festival in conjunction with the Arts Council / An Chomhairle Ealaíon, 28 October – 5 November 1972, catalogue no. 11;
’Camille Souter’, Douglas Hyde Gallery, Trinity College Dublin, 8 June – 9 July 1980, catalogue no. 8 (reproduced page 14 of the catalogue);
’From the Collection of Sir Basil Goulding Bart.’, Taylor Galleries, Dublin, 2-18 December 1982, catalogue no. 54
Throughout the 1950s Souter had used a myriad of unconventional materials and techniques, but in Achill this trend became much more pronounced. It was there that she first began to use fluid aluminium and enamel paints to supplement her limited, less easily obtainable supplies of oil paint. Fortuitously the colours that were available in the local hardware corresponded closely to some of those prevalent in the landscape.
The early work from Achill has such a high degree of painterly expressiveness that it may often appear to verge on abstraction and, without reference to a title, one might be at a loss to discover its content or subject. This is undoubtedly true of Achill Rocks and Reflections I. As the artist herself once remarked of her early work ‘None of those pictures were abstract. All the Achill paintings dealt with bog, rocks and pools more or less’. The materials used in the painting (black enamel and aluminium paint on brown kraft wrapping paper) and the manner in which they are used, is strikingly experimental for the period both in an Irish and an international context. While influenced by movements such as abstract expressionism and tachisme, Souter’s work is distinguished by being firmly rooted in its subject.
The top half of the Achill Rocks and Reflections I roughly mirrors the lower half. The left half of the painting roughly reflects the right half. It seems that Souter probably began by painting one side of the work. Then in an almost childlike fashion, she folded the work in two, to print both sides of the painting with a similar motif. Alternatively, this may have been done on a separate sheet which was then pressed onto the surface. It is as though her subject matter –rocks and reflections – literally dictated the manner in which the paint was applied. It is also true that the reflective nature of aluminium paint provides a peculiarly appropriate substitute for the reflective qualities of water. This work seems to unite all the unconscious automatist energy of an action painting, with the cool precision and minimalism of a Japanese print.
When the late Sir Basil Goulding exhibited his collection of modern art at the Dublin City Gallery, the Hugh Lane, in 1960 under the title ‘One Man’s Meat’, Achill Rocks and Reflections I was chosen to grace the cover of the exhibition catalogue. It was an interesting choice, considering his enormous collection included works by Oskar Kokoshka, Jean Lurcat, Pablo Picasso, Louis le Brocquy and Barrie Cooke to name but a few. Reputations and style appear to have been of less significance to him. Goulding trusted the judgment of his own eyes, placing the greatest emphasis on quality. He wrote: ‘It is not the idiom that counts; it is the performance within one,’ and ‘Quality is by far the senior ingredient over idiom.’ When comparing the works of artists such as le Brocquy, Cooke and Souter in terms of their ‘quality’ ‘authority’ and ‘penetration’ he noted, ‘Perhaps by the way we should keep all these alternative words available because we must have the noun “Quality” for Camille Souter – the others aren’t quite right for the art which is gentle but complex and unique.’ Achill Rocks and Reflections was sold in 1982 following Sir Basil Goulding’s death and has not to my knowledge been seen in public since. While I have lusted after countless paintings by Camille Souter, in my opinion this is one of the very best, one of the very highest ‘Quality’ to have come up for auction since I began following sales of her work 10 years ago. Collectors are understandably reluctant to let them go.
- Auction Details
(a) Each lot is put up subject to any reserve price imposed by the vendor
(b) Subject to sub-clause (a) of this clause, the highest bidder for each lot shall be the purchaser thereof
(c) If any dispute arises as to the highest bidder the auctioneer shall have absolute discretion to determine the dispute and may put up again and re-sell the lot in respect of which the dispute arises.
(a) The bidding and advances shall be regulated by and at the absolute discretion of the auctioneer and he shall have the right to refuse any bid or bids. NOTE: Where an agent bids, even on behalf of a disclosed client, the auctioneer nevertheless has the right at his discretion to refuse any such bid.
(b) The purchaser of each lot shall immediately on its sale, if required by the auctioneer, give him the name and address of the purchaser and pay to the auctioneer at his discretion the whole or part of the purchase money. If the purchaser of any lot fails to comply with any such requirement the auctioneer may put up again and re-sell the lot; if upon such re-sale a lower price is obtained than was obtained on the first sale the purchaser in default on the first sale shall make good the difference in price and expenses of re-sale which shall become a debt due from him.
(c) Where an agent purchases on behalf of an undisclosed client such agent shall be personally liable for payment of the purchase money to the auctioneer and for safe delivery of the lot to the said client.
(a) The auctioneer reserves the rights to bid on behalf of clients including vendors, but shall not be liable for errors or omissions in executing instructions to bid.
(b) The auctioneer reserves the rights, before or during a sale, to group together lots belonging to the same vendor, to split up and to withdraw any lot or lots at the auctioneer's absolute discretion and without giving any reason in any case.
(c) The auctioneer acts as agent only, and therefore shall not be liable for any default of the purchaser or vendor.
(a) Each lot shall be at the purchaser's risk from the fall of the hammer and shall be paid for in full before delivery and taken away at his expense within one day of the sale. The buyer will be responsible for all removal, storage and insurance charges in respect of any lot which has not been collected within one day of the date of sale. (b) If any purchaser fails to pay in full for any lot within 21 days of the date of sale such lot may at any time thereafter at the auctioneer's discretion be put up for sale by auction again or sold privately; if upon such re-sale a lower price is obtained than was obtained on the first sale the purchaser in default on the first sale shall make good the difference in price and the expenses of re-sale which shall become debt due from him. (c) Interest at 2 per cent per month and legal costs (if any) for recovery of monies due shall be payable by the purchaser on any overdue account.
(a) Each buyer, by making a bid, acknowledges that he has satisfied himself as to the physical condition, age and catalogue description of each lot (including but not restricted to whether the lot is damaged or has been repaired or restored).
(b) All lots are sold with all faults and imperfections and errors of description and the Auctioneer and its employees, servants or agents shall not be responsible for any error of description or for the condition or authenticity of any lot, save for Clause 5 (c) below. Written or verbal condition reports may be supplied by the Auctioneer on request but these are merely statements of opinion, and any error or omission in these reports may not be taken as grounds for a cancellation of sale or refund of any part of the purchase price or the cost of any repairs to the lot or lots reported on
(c) A purchaser shall be at liberty to reject any lot if he - (i) gives the auctioneer written notice of intention to question the genuineness of the lot within seven days from the date of sale; AND (ii) proves that the lot is a deliberate forgery and (iii) returns to the auctioneer within 20 days from the date of sale the lot in the same condition as it was at the time of sale; provided that the auctioneer may, at his discretion, on receiving a request in writing from the purchaser, extend for a reasonable period the time for return of the lot to enable it to be submitted to expertisation. NOTE: The onus of proving a lot to be a deliberate forgery is on the purchaser.
(d) Where a lot has been submitted to expertisation, all costs of such expertisation shall be paid by the person who retains the certificate of expertisation and item or items to which the certificate relates.
(e) Where the purchaser of a lot discharges the onus and acts in accordance with sub-clause (b) of this clause, the auctioneer shall rescind the sale and repay to the purchaser the purchase money paid by him in respect of the lot.
(f) No lot shall be rejected if, subsequent to the sale, it has been marked by an expert committee or treated by any other process unless the auctioneer's permission to subject the lot to such treatment has first been obtained in writing.
(g) Any lot listed as a "collection, range, portfolio etc." or stated to comprise or contain a collection or range of items which are not described shall be put up for sale not subject to rejection and shall be taken by the purchaser with all (if any) faults, lack of genuineness and errors of description and numbers of items in the lot, and the purchaser shall have no right to reject the lot; except that, notwithstanding the foregoing provisions of this sub-clause, where before a sale a person intending to bid at the sale gives notice in writing to, and satisfies the auctioneer that any such lot contains any item or items undescribed in the sale catalogue and that person specifically describes that item or those items in that notice, then that item or those items shall, as between the auctioneer and that person, to be taken to form part of the description of the lot.
The respective rights and obligations of the parties shall be governed and interpreted by Irish law, and the buyer hereby submits to the exclusive jurisdiction of the Irish Courts.
a) The buyer shall pay the Auctioneer a commission at the rate of 20% up to and including €3 million, and 13.5% of that part of the hammer price over €3 million. The Buyer's Premium is added to the hammer price of all lots and is subject to VAT at the prevailing rate.
(b) The Auctioneer or its employees, servants or agents may, on request organise packing and shipping of lots purchased or may order on the buyer's behalf third parties to pack or ship purchases. Under no circumstances does the Auctioneer accept any liability whatsoever for any loss or damage howsoever occasioned in the course of such service.
(c) The buyer authorises the Auctioneer to use any photographs or illustrations of any lot purchased for any or all purposes as the Auctioneer may require. The placing of a bid will be taken as full agreement to all the above conditions.
WHYTE AND SONS AUCTIONEERS LIMITED, 2018.
WHAT IS A TIMED AUCTION?
Timed auctions do not have an auctioneer calling the bids – there’s just a bidding time frame and whoever bids highest during the time frame wins. Each lot can be bid on for a defined time period. At the end of this period, the bidder who has submitted the highest bid wins the lot, provided the bid exceeds the reserve price. You tell us the most you’re willing to pay – and we’ll bid intelligently for you, only bidding enough for you to meet the reserve or stay in the lead. Don’t worry, your maximum bid is not disclosed, and is held in confidence on our bidding system.
WHEN ONLINE BIDDING STARTS – FROM 10AM ON 1 DECEMBER TO 13 DECEMBER (ENDING 6pm-10pm approximately) - YOU CAN LEAVE BIDS and your bid will start at one step above the previous bid or at the start price if no other bid. You will be notified by email if you get outbid before the auction starts.
ONCE THE AUCTION BEGINS TO FINISH ON 13 DECEMBER EMAIL NOTIFICATIONS CEASE and you should follow the auction on-line to see how your bids are doing. Make sure you have logged in if you wish to bid.
WHEN THE AUCTION BEGINS TO FINISH ON 13 DECEMBER the bidding for each lot remains open for 45 seconds at a start price determined by the reserve or bids already received. Each lot will be open and remain open for bidding until its end time is reached; the end time will be extended by 60 seconds if another bid is received. At the end time, if there are no further bids and the highest bid received equals or exceeds the re serve price the lot is sold to highest bidder.
• Log in or register bid.whytes.ie
• Visit the online auction catalogue
• Find the lot number you are interested in.
· The current highest bid will be displayed
• The minimum bid required to beat the highest bid will also be shown.
· You can place your bid. The screen will show the new highest bid and will indicate if that bid is yours. Note: if a previous bidder has left a bid that equals yours the previous bidder will win the lot unless you outbid them. If the screen doesn’t confirm that your bid is winning you will need to bid again if you wish to buy the lot. Don’t worry -the system will not allow you to bid against yourself.
• The live auction will begin at 6pm on Monday 29 November and will be sold in lot number order by the auctioneer.
• Invoices will be issued to successful bidders on Tuesday 30 November.
NOTE: For telephone and absentee bids email to firstname.lastname@example.org or telephone 01 6762888 or post to Whyte’s, 38 Molesworth Street, Dublin D02 KF80
Up to €300 x€10
Up to €700 x €20
Up to €1,300 x €50
Up to €3,000 x €100
Up to €7,000 x €200
Up to €13,000 x €500
Up to €30,000 x €1,000
Up to €40,000 x €2,000
Up to €70,000 x €2,000
Up to €130,000 x €5,000
Up to €500,000 x €10,000
A FEW TIPS FOR ABSENTEE BIDDERS:
Bid the maximum price you would pay for the lot; we will try and secure the lot for you at the lowest possible price. For instance if you bid €2,000 on a lot and the highest other bid we receive is €1,200 you get it for €1,250. Most people tend to bid in round numbers, e.g. €500. It’s often a good idea to bid an odd number, e.g. €520, or €540 which will outbid an even number. Check the results the day after the sale: these are published on our website www.whytes.ie at about 10am on the day after the sale. Successful bidders are also notified of results by mail.
Buyers Premium of 20%plus VAT (24.6% in total) will be added to your winning bid amount. Your invoice will detail all the payment, collection and shipping particulars. There is no additional fee for bidding online with Whyte's
TIE BIDS: if two or more equal bids are received the lot will be sold to the first received.