FERRIS BLIGH ST. GEORGE, c.1921
Sir William Orpen KBE RA RI RHA (1878-1931)Thence by descent to the present owner
Following Ferris's birth on 25 March 1908, Orpen produced portraits of his mother, his elder and younger sisters, Gardenia and Vivien, his elder brother, Avenel, and Ferris himself, first as an infant, then in the present portrait when almost a teenager.
During his childhood, the boy was affectionately known as 'Alcibiades' - 'Master Alci' to the painter - after the Greek general and interlocutor of Socrates. Frederick Ferris Bligh St George (1908-1970) was the St Georges' third son. The most informative account of his childhood is provided by his younger sister, Vivien Winch, who describes him as a 'very shy little boy' (2). They shared the basement at Coombe Hill and the wrath of their sister Gardenia's governess, Miss Smeeton, 'who rapped Ferris over the knuckles practically every day with a glass ruler when he did not play his scales properly' (3). Enduring these horrors, the two children were close - Vivien becoming Ferris's 'devoted shadow', to the extent that she bit a 'sizeable chunk' of his thigh when being teased at the age of four-and-a-half (4). Childhood for both was undoubtedly affected by the death of Ferris's older brother, the nineteen-year-old Avenel, killed by a sniper at Zillebeke on 15 November 1914 (5). The present portrait, the final St George commission, was completed by 1921, possibly with the aid of a photograph taken a few years earlier (6).
While Orpen was enduring the privations of the Western Front three years later, the two children would 'stand shivering at our basement window watching the searchlights as they swung in great arcs across the sky' (7). Ferris would go on to pursue his own military career in Avenel's regiment, the 1st Life Guards, seeing service in the Second World War and reaching the rank of Colonel. He married Maud Radcliffe, a soldier's daughter, in October 1932, while his mother was living on the Isle of Wight. In the 1950s he became High Sheriff of Gloucestershire and he and his bride were keen supporters of the Beaufort Hunt.
Long before this, in the present portrait we confront a talented young batsman, his sleeves rolled, and collar turned up as though he has arrived in the studio, straight from the crease. Delicate fingers clasped over the handle of his bat, and a face carefully lit, indicate that this is both a sensitive lad and one who was polished and was learning inscrutability. Poise as much as pose equally apply as Orpen's mature style assures us of swagger controlled.
Ferris's portrait could well commemorate the occasion at St Boswells in the Scottish Borders when he had been 'caught out, having chalked up a gratifying number of runs' and his mother, 'tired of watching cricket … summoned the Hotchkiss, climbed gracefully aboard and was driven home' (8). The moment passed, the stumps were pulled, and Orpen has left us the penetrating gaze of a young cricketer whose life was before him.
Prof Kenneth McConkey,
September 2025
1. Bruce Arnold, Orpen, Mirror to and Age, 1981, (Jonathan Cape), p. 184.
2. Vivien Winch, A Mirror for Mama, 1965, (MacDonald, London), p. 18. Ferris was three years and nine months older than his sister. They were both 'late' children having two older brothers and a sister. Winch was born on New Year's Day 1912.
3. Winch 1965, p. 20. Ferris's birth was registered in county Dublin when the family were living between Clonsilla Lodge, on the outskirts of the city and Screebe Lodge, Maam Cross, Galway.
4. Winch 1965, pp. 65-6.
5. Following Avenel's death, Orpen produced his full-length portrait in the ceremonial dress uniform of the Life Guards (sold Sotheby's 9 December 2020). In 1918, the artist would paint the blasted landscape at Zillebeke with a dead soldier in the foreground that was owned by the St George family prior to its acquisition by Tate Britain.
6. Orpen was living in Paris most of the preceding year, painting the signatories to the Peace Treaty of Versailles, and before that, on the Western Front from the spring of 1917.
7. Winch 1965, p. 37.
8. Winch 1965, p. 68. St George had acquired Springhill, a house in the Borders near Kelso and close to the home Ferris's schoolfriend, George Trotter,
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Remarkable results included: An oil on canvas by Graham Knuttel, Cutting A Deal estimated at €6,000 to €8,000 sold for a hammer price of €12,000.
Daniel O'Neill (1920-1974) Girl in a Headscarf, estimate €15,000 to €20,000 sold for €20,000. John Behan's bronze sculpture, Seven Boyne Valley Warriors sold for €11,500.
There was great interest in all the Ciaran Clear lots, with The Road Home, estimated €4,000 to €6,000 selling for €6,300. A Percy French set of 9 Landscapes sold for it’s top estimate of €10,000.
Check unsold listing for works still available.
Clause 1
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Clause 2
(a) The bidding and advances shall be regulated by and at the absolute discretion of the auctioneer and he shall have the right to refuse any bid or bids. NOTE: Where an agent bids, even on behalf of a disclosed client, the auctioneer nevertheless has the right at his discretion to refuse any such bid.
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Clause 5
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(g) Any lot listed as a "collection, range, portfolio etc." or stated to comprise or contain a collection or range of items which are not described shall be put up for sale not subject to rejection and shall be taken by the purchaser with all (if any) faults, lack of genuineness and errors of description and numbers of items in the lot, and the purchaser shall have no right to reject the lot; except that, notwithstanding the foregoing provisions of this sub-clause, where before a sale a person intending to bid at the sale gives notice in writing to, and satisfies the auctioneer that any such lot contains any item or items undescribed in the sale catalogue and that person specifically describes that item or those items in that notice, then that item or those items shall, as between the auctioneer and that person, to be taken to form part of the description of the lot.
Clause 6
The respective rights and obligations of the parties shall be governed and interpreted by Irish law, and the buyer hereby submits to the exclusive jurisdiction of the Irish Courts.
Special Conditions
a) The buyer shall pay the Auctioneer a commission at the rate of 20% (Art sales) or 24% (Collectibles sales). The Buyer's Premium is added to the hammer price of all lots and is subject to VAT at the prevailing rate.
(b) The Auctioneer or its employees, servants or agents may, on request organise packing and shipping of lots purchased or may order on the buyer's behalf third parties to pack or ship purchases. Under no circumstances does the Auctioneer accept any liability whatsoever for any loss or damage howsoever occasioned in the course of such service.
(c) The buyer authorises the Auctioneer to use any photographs or illustrations of any lot purchased for any or all purposes as the Auctioneer may require. The placing of a bid will be taken as full agreement to all the above conditions.
WHYTE AND SONS AUCTIONEERS LIMITED, 2022
We hold two types of auction - LIVE SALEROOM and TIMED
1. TIMED AUCTIONS
WHAT IS A TIMED AUCTION? Timed auctions do not have an auctioneer calling the bids – there’s just a bidding time frame and whoever bids highest during the time frame wins. Each lot can be bid on for a defined time period. At the end of this period, the bidder who has submitted the highest bid wins the lot, provided the bid exceeds the reserve price. You tell us the most you’re willing to pay – and we’ll bid intelligently for you, only bidding enough for you to meet the reserve or stay in the lead. Don’t worry, your maximum bid is not disclosed, and is held in confidence on our bidding system.
WHEN ONLINE BIDDING STARTS - YOU CAN LEAVE BIDS online and your bid will start at one step above the previous bid or at the start price if no other bid. You will be notified by email if you get outbid before the auction starts.
ONCE THE AUCTION BEGINS TO FINISH, ON THE DATE AND TIME SPECIFIED, THE EMAIL NOTIFICATIONS CEASE and you should follow the auction on-line to see how your bids are doing. Make sure you have logged in if you wish to bid.
WHEN THE AUCTION BEGINS TO FINISH ON THE DATE AND TIME SPECIFIED,THE BIDDING FOR EACH LOT REMAINS OPEN FOR 30 SECONDS at a start price determined by the reserve or bids already received. Each lot will be open and remain open for bidding until its end time is reached; the end time will be extended by 30 seconds if another bid is received. At the end time, if there are no further bids and the highest bid received equals or exceeds the reserve price the lot is sold to highest bidder.
2. LIVE SALEROOM AUCTION:
If you can't attend the auction in the saleroom you can email or post or telephone bids to us, or you can book a telephone line to bid during the sale. Contact us on +353 16762888 or bids@whytes.ie
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• The live auction will begin at the announced date and time and will be sold in lot number order by the auctioneer.
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BIDDING STEPS:
Up to €300 x€10
Up to €700 x €20
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Up to €3,000 x €100
Up to €7,000 x €200
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A FEW TIPS FOR ABSENTEE BIDDERS:
Bid the maximum price you would pay for the lot; we will try and secure the lot for you at the lowest possible price. For instance if you bid €2,000 on a lot and the highest other bid we receive is €1,200 you get it for €1,250. Most people tend to bid in round numbers, e.g. €500. It’s often a good idea to bid an odd number, e.g. €520, or €540 which will outbid an even number. Check the results the day after the sale: these are published on our website www.whytes.ie at about 10am on the day after the sale. Successful bidders are also notified of results by mail.
TIE BIDS: if two or more equal bids are received the lot will be sold to the first received.
The Buyers Premium for Art sales is 20% plus VAT ( 24.6% gross). The Buyers Premium for Collectibles sales is 24% plus VAT (29.52% gross). The Buyers Premium will be added to your winning bid amount. Your invoice will detail all the payment, collection and shipping particulars.

