THE COLLOQUY OF MONOS AND UNA
Harry Clarke RHA (1889-1931)Nicola Gordon Bowe, Harry Clarke, Douglas Hyde Gallery, Dublin 1979, see cat. nos. 37 and 82; Bowe, The Life and Work of Harry Clarke (Dublin 1989, 1st ed.), p. 82, 95 and 101-2.
Nicola Gordon Bowe, The Life and Work of Harry Clarke, Irish Academic Press, Dublin, 1989, pp. 82, 35 and 101-2
Clarke had begun illustrating Poe’s hauntingly macabre otherworldly tales when he was twenty, having just left the Dublin Metropolitan School of Art, but was formally commissioned by the London publisher, George Harrap, to prepare a set of 24 black and white full page and 12 ‘ornamental’ text illustrations to Tales of Mystery and Imagination by Edgar Allan Poe in 1918. These would appear in a cloth edition in October 1919, as well as in three different collectors’ bindings of velvet Persian yapp, full morocco and in a limited, de luxe, full vellum edition of 170, signed and numbered on handmade paper. This impressive project came about as a result of the success of his illustrated Hans Andersen’s Fairy Tales which Harrap had published two years earlier. Widely acclaimed and subsequently pirated, critics were stunned at how “his tremendous imagination vitalis[ed] pictorially with amazing power and invention the Tales of Mystery and Imagination”. Such was their success that Harrap issued a further edition of his Poe Tales in 1923 with eight new colour plates tipped in, several additional line decorations and a new cover and jacket.
Clarke drew most of his Poe black and white full page illustrations between January 1918 and the end of March 1919, while working concurrently on other commissions. He liked to keep several jobs going at the same time, so that this particular drawing, for the unearthly ‘Colloquy of Monos and Una’, he began on January 31st and completed on February 16th 1919 while working on his Killiney and Wexford war memorial windows and two boxed sets of handkerchiefs and floral dress fabrics for the Belfast textile firm of Sefton. His designs for the latter are clearly identifiable among the flowing tendrils of the submarine flowers and the tiny daisy-like flowers and spiralling knots and leaves that make up Una’s ornament-encrusted hooded robe and that of the fantastically decorated flower-strewn coffin that binds her and her similarly ornately shrouded lover, Monos, together in death. Here, the influences of Bakst’s exotic Russian Ballets costumes and of Japanese applied art can be seen (e.g. in Clarke’s adaption of katagami rice paper stencils for Una’s costume and lacquered decoration for the floating chrysanthemums, diagonal flight of birds and fine vertical white lines set against the blackness that engulfs the dead lovers), synthesized into his own unmistakeable vision. The profiled heroine with her spikey, ringed fingers is newly arrived in the world of Life Eternal, where she engages in a platonic dialogue with her beloved, who had died shortly before her of a fever. She elaborates on their shared devotion to the sensual nature of the poetic intellect and life, untainted by pedantic utilitarianism. Clarke has chosen to illustrate the passage where Monos describes how the rosewater which his love had administered to him on his deathbed had affected him “with sweet fancies of flowers – fantastic flowers, far more lovely than any of the old Earth, but whose prototypes we have here blooming around us” in the afterlife.
© Dr. Nicola Gordon Bowe
February 1st 2009
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Clause 1
(a) Each lot is put up subject to any reserve price imposed by the vendor
(b) Subject to sub-clause (a) of this clause, the highest bidder for each lot shall be the purchaser thereof
(c) If any dispute arises as to the highest bidder the auctioneer shall have absolute discretion to determine the dispute and may put up again and re-sell the lot in respect of which the dispute arises.
Clause 2
(a) The bidding and advances shall be regulated by and at the absolute discretion of the auctioneer and he shall have the right to refuse any bid or bids. NOTE: Where an agent bids, even on behalf of a disclosed client, the auctioneer nevertheless has the right at his discretion to refuse any such bid.
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(c) Where an agent purchases on behalf of an undisclosed client such agent shall be personally liable for payment of the purchase money to the auctioneer and for safe delivery of the lot to the said client.
Clause 3
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Clause 4
(a) Each lot shall be at the purchaser's risk from the fall of the hammer and shall be paid for in full before delivery and taken away at his expense within one day of the sale. The buyer will be responsible for all removal, storage and insurance charges in respect of any lot which has not been collected within one day of the date of sale.
(b) If any purchaser fails to pay in full for any lot within 21 days of the date of sale such lot may at any time thereafter at the auctioneer's discretion be put up for sale by auction again or sold privately; if upon such re-sale a lower price is obtained than was obtained on the first sale the purchaser in default on the first sale shall make good the difference in price and the expenses of re-sale which shall become debt due from him.
(c) Interest at 2 per cent per month and legal costs (if any) for recovery of monies due shall be payable by the purchaser on any overdue account.
Clause 5
(a) Each buyer, by making a bid, acknowledges that he has satisfied himself as to the physical condition, age and catalogue description of each lot (including but not restricted to whether the lot is damaged or has been repaired or restored).
(b) All lots are sold with all faults and imperfections and errors of description and the Auctioneer and its employees, servants or agents shall not be responsible for any error of description or for the condition or authenticity of any lot, save for Clause 5 (c) below. Written or verbal condition reports may be supplied by the Auctioneer on request but these are merely statements of opinion, and any error or omission in these reports may not be taken as grounds for a cancellation of sale or refund of any part of the purchase price or the cost of any repairs to the lot or lots reported on
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(d) Where a lot has been submitted to expertisation, all costs of such expertisation shall be paid by the person who retains the certificate of expertisation and item or items to which the certificate relates.
(e) Where the purchaser of a lot discharges the onus and acts in accordance with sub-clause (b) of this clause, the auctioneer shall rescind the sale and repay to the purchaser the purchase money paid by him in respect of the lot.
(f) No lot shall be rejected if, subsequent to the sale, it has been marked by an expert committee or treated by any other process unless the auctioneer's permission to subject the lot to such treatment has first been obtained in writing.
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Clause 6
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Special Conditions
a) The buyer shall pay the Auctioneer a commission at the rate of 20% (Art sales) or 24% (Collectibles sales). The Buyer's Premium is added to the hammer price of all lots and is subject to VAT at the prevailing rate.
(b) The Auctioneer or its employees, servants or agents may, on request organise packing and shipping of lots purchased or may order on the buyer's behalf third parties to pack or ship purchases. Under no circumstances does the Auctioneer accept any liability whatsoever for any loss or damage howsoever occasioned in the course of such service.
(c) The buyer authorises the Auctioneer to use any photographs or illustrations of any lot purchased for any or all purposes as the Auctioneer may require. The placing of a bid will be taken as full agreement to all the above conditions.
WHYTE AND SONS AUCTIONEERS LIMITED, 2022
We hold two types of auction - TIMED and LIVE SALEROOM
1. TIMED AUCTIONS
WHAT IS A TIMED AUCTION?Timed auctions do not have an auctioneer calling the bids – there’s just a bidding time frame and whoever bids highest during the time frame wins. Each lot can be bid on for a defined time period. At the end of this period, the bidder who has submitted the highest bid wins the lot, provided the bid exceeds the reserve price. You tell us the most you’re willing to pay – and we’ll bid intelligently for you, only bidding enough for you to meet the reserve or stay in the lead. Don’t worry, your maximum bid is not disclosed, and is held in confidence on our bidding system.
WHEN ONLINE BIDDING STARTS - YOU CAN LEAVE BIDS online and your bid will start at one step above the previous bid or at the start price if no other bid. You will be notified by email if you get outbid before the auction starts.
ONCE THE AUCTION BEGINS TO FINISH, ON THE DATE AND TIME SPECIFIED, THE EMAIL NOTIFICATIONS CEASE and you should follow the auction on-line to see how your bids are doing. Make sure you have logged in if you wish to bid.
WHEN THE AUCTION BEGINS TO FINISH ON THE DATE AND TIME SPECIFIED,THE BIDDING FOR EACH LOT REMAINS OPEN FOR 45 SECONDS at a start price determined by the reserve or bids already received. Each lot will be open and remain open for bidding until its end time is reached; the end time will be extended by 45 seconds if another bid is received. At the end time, if there are no further bids and the highest bid received equals or exceeds the reserve price the lot is sold to highest bidder.
The Buyers Premium for Art sales is 20% plus VAT ( 24.6% gross). The Buyers Premium for Collectibles sales is 24% plus VAT (29.52% gross). The Buyers Premium will be added to your winning bid amount. Your invoice will detail all the payment, collection and shipping particulars.
2. LIVE SALEROOM AUCTION:
If you can't attend the auction in the saleroom you can email or post or telephone bids to us, or you can book a telephone line to bid during the sale. Contact us on +353 16762888 or bids@whytes.ie
To bid on-line at a Live Saleroom Auction:
• Log in or register bid.whytes.ie
• Visit the online auction catalogue
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· The current highest bid will be displayed
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· You can place your bid. The screen will show the new highest bid and will indicate if that bid is yours. Note: if a previous bidder has left a bid that equals yours the previous bidder will win the lot unless you outbid them. If the screen doesn’t confirm that your bid is winning you will need to bid again if you wish to buy the lot. Don’t worry -the system will not allow you to bid against yourself.
• The live auction will begin at the announced date and time and will be sold in lot number order by the auctioneer.
• Invoices will be issued to successful bidders on the next working day after the sale has ended.
BIDDING STEPS:
Up to €300 x€10
Up to €700 x €20
Up to €1,300 x €50
Up to €3,000 x €100
Up to €7,000 x €200
Up to €13,000 x €500
Up to €30,000 x €1,000
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A FEW TIPS FOR ABSENTEE BIDDERS:
Bid the maximum price you would pay for the lot; we will try and secure the lot for you at the lowest possible price. For instance if you bid €2,000 on a lot and the highest other bid we receive is €1,200 you get it for €1,250. Most people tend to bid in round numbers, e.g. €500. It’s often a good idea to bid an odd number, e.g. €520, or €540 which will outbid an even number. Check the results the day after the sale: these are published on our website www.whytes.ie at about 10am on the day after the sale. Successful bidders are also notified of results by mail.
TIE BIDS: if two or more equal bids are received the lot will be sold to the first received.
The Buyers Premium for Art sales is 20% plus VAT ( 24.6% gross). The Buyers Premium for Collectibles sales is 24% plus VAT (29.52% gross). The Buyers Premium will be added to your winning bid amount. Your invoice will detail all the payment, collection and shipping particulars.